When HBO’s The White Lotus first aired in 2021, it was pitched as a satirical comedy-drama about wealth, privilege, and power dynamics at a luxury resort. But while viewers tuned in for the biting dialogue and dark humour, they stayed entranced by something else: the exotic backdrops. The ocean views, infinity pools, baroque villas, and sunlit piazzas weren’t just settings for the drama: they became central to the story, sparking global interest in screen tourism as fans sought to experience the same opulence and escape in real life.
The ripple effects of these iconic filming locations and the screen tourism that followed have been staggering. Resorts featured in the show have reported spikes in bookings, towns once overlooked by tourists are now trending on TikTok, and entire destinations have been rebranded as must-see luxury escapes. This is what many now call the White Lotus Effect — the powerful sway that cinematic travel storytelling has on real-world tourism.
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Of course, screen tourism isn't a new concept. Sometimes called film tourism, set-jetting, or location-vacation, this concept describes the phenomenon where audiences travel specifically to visit places featured in movies or television, often seeking to step directly into the worlds they’ve seen on screen.
There's nothing quite like a cinematic lens to transform a location from a dot on the map into a global destination, inspiring travelers to step directly into the worlds they’ve seen on screen:
But The White Lotus is unique in its immediacy. It showcases real, bookable resorts — making the jump from screen to suitcase almost seamless.
A survey ran by travel experience marketplace GetYourGuide revealed that 75% of fans admitted that “The White Lotus” had influenced their travel more than any other show, and that 31% had already visited Hawaii, Italy, or Thailand because of it, with 68% planning to visit the show's filming locations in the future. A whopping 93% said they would consider booking a “White Lotus”-themed experience or tour.
The first season planted itself firmly at the Four Seasons Resort Maui at Wailea, transforming it overnight from a well-known property into an icon of pandemic-era escapism. Despite the show’s satirical lens on wealth and entitlement, the visuals were pure paradise. Demand surged. The resort even leaned into the hype, offering packages that promised guests a chance to “live their own White Lotus experience” — minus, hopefully, the scandals and body bags.
For Hawaii, the season reignited conversations about the tension between high-end tourism and local sustainability. While the show skewered privilege, its side effect was a renewed appetite for exclusive island retreats.
If Hawaii was an escape, Sicily was a revelation. The San Domenico Palace in Taormina, a Four Seasons property perched on a cliff with sweeping views of Mount Etna, became the beating heart of Season 2. Within weeks of airing, travel sites reported triple-digit increases in searches for Taormina.
It wasn’t just the hotel that benefitted. Audiences fell in love with baroque Noto, seaside Cefalù, and Palermo’s aristocratic villas. Local tourism boards quickly capitalised, offering White Lotus-themed tours. The irony was delicious: a show about the grotesque excesses of the wealthy ended up making Sicily the latest playground for global luxury travelers.
Season 3 transports viewers to Thailand, with filming split across Bangkok, Phuket, and Koh Samui. The central resort is the Four Seasons Koh Samui, a postcard-perfect property framed by jungle and turquoise sea. The finale even featured Samujana Twenty-Seven, a villa now bookable on for over $2,000 a night.
Thailand’s tourist economy is already massive, but the White Lotus Effect may push more travelers toward high-end island stays, shifting the balance from backpacker haunts to secluded, luxury retreats.
The success of the White Lotus Effect rests on several forces:
What makes the phenomenon so fascinating is its irony. The White Lotus critiques the very culture it fuels: wealthy travelers parachuting into destinations with little regard for local realities. The surge in interest raises questions about sustainability, over-tourism, and who actually benefits from these sudden booms.
Sicily, for example, has seen both an influx of investment and rising concerns about affordability for locals. Hawaii has long grappled with balancing tourist dollars against the preservation of land and culture. Thailand may soon face the same dilemmas.
But done well, screen tourism offers local communities (as well as venue and accomodation owners) the opportunity to cash in on sustainable sources of income, and the chance to showcase their heritage on a global stage.
The White Lotus Effect underscores the entwined relationship between pop culture and travel. In an era where TV doubles as lifestyle marketing, filming locations have become as influential as advertising campaigns. For destinations, the opportunity is undeniable, but so are the risks. Screen tourism can boost economies and global visibility overnight, yet without careful planning, it risks creating dependence on fleeting trends, straining infrastructure, and eroding the authenticity that drew visitors in the first place.
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